Senin, 29 Januari 2018

Free Ebook Traveller Pocket Edition (Traveller Sci-Fi Roleplaying), by Gareth Hanrahan

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Traveller Pocket Edition (Traveller Sci-Fi Roleplaying), by Gareth Hanrahan

Traveller Pocket Edition (Traveller Sci-Fi Roleplaying), by Gareth Hanrahan


Traveller Pocket Edition (Traveller Sci-Fi Roleplaying), by Gareth Hanrahan


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Traveller Pocket Edition (Traveller Sci-Fi Roleplaying), by Gareth Hanrahan

Product details

Paperback: 192 pages

Publisher: Mongoose Publishing; Poc edition (January 6, 2009)

Language: English

ISBN-10: 1906103984

ISBN-13: 978-1906103989

Product Dimensions:

5.5 x 0.2 x 8.8 inches

Shipping Weight: 11.2 ounces

Average Customer Review:

3.8 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#3,727,665 in Books (See Top 100 in Books)

I've played Traveller for literally decades, off and on, and was eager to see the updates Mongoose had come up with. I'm very impressed, and am planning to incorporate it into a Traveller campaign of my own.This version expands upon the strictly military career paths in Classic Traveller [CT], giving options such as Entertainer, Nobility (available in a CT supplement), Scientist and others, giving characters the opportunity to play anything they might want to. One of my pet peeves when making up a character in CT was the chance your character might die in the middle of the creation process. This is kept in this version, but as the "Ironman" option. Usually, if your character fails the survival roll, they leave their service, and suffer some form of injury, possibly having medical bills to resolve when they muster out. This is very similar to a number of house rules I've seen in play.Skills acquisition and usage are better, also. All characters in a given service have the basic skills needed to do their job at Level 0, which is basic familiarity. Any levels above basic give you an additional +1 to succeed. When using a skill, all you need to do is roll 8+ on two six-sided dice. Your *roll* (not the target) is modified by your skill level, target difficulty, circumstances, and so forth. As a result, your rolls, both as player and referee, are much simpler to calculate.Psionics is handled much better than in CT. Basically, if you have a psionic ability at Level 0, you can use any of the powers within that ability, subject to psionic strength. If you later gain additional levels in that discipline, it becomes a positive modifier to your roll to use psionics. The troublesome "Special" category is referred to mainly as a plot device, relieving referees of the difficulty of either making something up or hunting down obscure or non-canon references.The only problem I had with this version is the type. This is the pocket edition, but they left everything laid out the same, only smaller. Some of the ship floor plans are very hard to read without a magnifying glass, though in decent light the rest is easy to read.Overall, this is an excellent product, and I look forward to my next acquisition in the Mongoose Traveller universe.

This is an excellent update of Classic Traveller. Both the mechanics and the future technologies have been improved to reflect current Sci-Fi RPG concepts. Also, this version is half the price of the hardback.Character generation is basically the same, but has been simplified and more careers added. There is a standard task check system (characteristic modifier + skill level + situational modifiers + 2d6 >= 8 for success) that applies to everything.More future technologies, such as implants, smaller/better computers, and customizable weapons have been added as well. (In the original game, all computers were mainframes-PC's had barely appeared in real life at the time.)This edition assumes a Third Imperium setting, and includes some Third Imperium aliens. However, this can be disregarded with no great loss. Also, Mongoose has published a Traveller setting that uses the Hammer's Slammers background Hammer's Slammers (Traveller Sci-Fi Roleplaying).The type is a bit small, but readable (I'm old enough that I need reading glasses anyway, so it does not matter to me). Some of the deck plans end up rather small and a bit fuzzy as well--this is the only issue I've found.Overall, excellent work and it will probably get me back into Traveller after a 25 year hiatus.

This book leaves a lot to be desired. For example, ammo prices were left off for most of the heavy weapons. Ranks are missing for some of the careers, and the large scale combat rules need more work.Wait for a second printing/edition so these can be updated and this will be a 3 or 4 star product, but not until then.

This is a Great Book cool art good game and it is pocket edition Traveller is Great and it is a D6 system so have fun with it.

I was very pleasantly surprised by exactly how well done the Mongoose edition of Traveller is. Using the original (Classic) Traveller rules as a starting point, Gareth Hanrahan and crew have expounded upon and actually improved the game.The largest improvement is the addition of a universal system for task resolution. Although it is a simple mechanic, it is also very effective and leads to quicker resolution of rolls.Character generation has also been greatly improved. The most obvious change to this is the addition of new non-military careers and specialties within careers. The process has also been streamlined by adding the aforementioned task resolution for many of the rolls. The end result of char gen seems to be a character who is more detailed and a bit more "alive" than in Classic Traveller.Despite the changes and additions, this rules set maintains the straight-forwardness and over-all "feel" of Classic. Experienced gamers who have never played Traveller before could pick it up within a few minutes. Newcomers to role-playing will find it a bit more difficult, but could be playing within a day.The Pocket Guide edition has greatly improved layout and graphics over the hardback Core Rules, and includes everything from the larger edition. It also fixes the errors which are present in early printings of the hardcover. The small form factor will feel familiar and comforting to old-school Classic Traveller players.The best news for die-hard Classic Traveller players is that any old adventures or campaigns you might want to play with the new, improved rules would be nearly 100% compatible (and possibly even more enjoyable).Highly recommended for players both old and new.

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Kamis, 25 Januari 2018

Download PDF , by James McWilliams

Download PDF , by James McWilliams

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, by James McWilliams

Product details

File Size: 864 KB

Print Length: 284 pages

Publisher: Little, Brown and Company; 1 edition (August 11, 2009)

Publication Date: August 26, 2009

Sold by: Hachette Book Group

Language: English

ASIN: B002L4EXM4

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Amazon Best Sellers Rank:

#634,524 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Professor McWilliams, who teaches history, gives his take on our country's food system. The book seems to be one written to convince his fellow "green" food enthusiasts rather than the general public, let alone those few of us with strong and direct ties to conventional agriculture.Fairly moderate ideas about food miles, agricultural chemicals, GMOs and international trade get submerged when the author delivers his most heart felt argument-- that we all would best save the planet by simply stopping (or nearly stopping) to eat meat, whether grain-fed or raised on the open range. (How likely is this in our McDonald's world?)While Professor McWilliams presents many rational arguments, I think he does a disservice to his objective when he consistently demonizes those growing the food of this nation by such pejorative terms as members of "a food system that's inherently corrupt and degrading to the natural world." Most all of us, in his bellicose view, operate subsidized factory farms and are driven solely by corporate greed.While there are good reasons for reforming many U.S. agricultural policies, this book is not likely to bring any but those already committed in to the diaphanous world of "sustainability" to the negotiating table.

This book was a good read however I have to take a star for packaging and delivery. When I got the book about 15 pages were flipped back and I considered keeping it past the class I needed it for but without the visual appeal I decided not too.

(see also: [...] )Just Food: Where Locavores Get It Wrong And How We Can Truly Eat Responsibly, by James E. McWilliams, presents some good ideas, but is weakened by arrogance and less-than-thorough analyses. His critique of locavorism is ultimately incomplete and flawed.If you are interested in what he has to say but don't want to read the whole book, I recommend that you go to your neighborhood bookstore and read the 9-page Conclusion. It is short enough to read standing up.McWilliams' driving concern throughout the book is the environment. Greenhouse gasses are his main focus. He argues that "food miles" is an overly simplistic, and in fact misguided, gauge of food sustainability. He discusses the concept of life cycle analysis, suggesting that it is important to look at the total carbon impact of your food, rather than focusing simply on the carbon impact of its transportation; he demonstrates that there are often other factors that make a far greater contribution to carbon footprint than transportation. He also points out, rightly I think, that farmers' markets and small farmers in general will face an increasing challenge trying simultaneously to meet the needs of foodies, the mainstream population, restaurateurs, wholesalers, and the low-income population.His argument is weakened by unfounded assertions and unnecessary contrariness, perhaps products of a conscious attempt to be "provocative" or "controversial". He claims that an ever-growing contingent of "food-milers" think food miles are the only thing that matter, and he casts himself as the defender of the human race against these food-milers; it not clear to me that a lot of people look only at food miles without looking also at issues such as sustainable farming practices and rural economics. He states that "if we can measure the distance food can travel, we can certainly measure the carbon footprint created by the major inputs of production"; this seems far from certain to me, especially on smaller, polyculture farms. He spends a good portion of the first chapter criticizing the "food-milers" for being smug and self-righteous, and obsessing over their one pet metric; he spends much of the rest of the chapter being smug and self-righteous himself, and focusing on his own pet metric (carbon footprint).He faults locavorism for being unable to meet the needs of the urban population of the US, especially in arid cities (he specifically mentions Tuscon, Phoenix, and Las Vegas). He says: "Locavores will often respond to this line of attack by arguing that people should not be moving to these areas in the first place." He dismisses this argument by claiming that the US government cannot realistically tell "citizens and corporations that they cannot settle in a particular region because the resources do not conform to a locavore vision", and finally concludes that "some places cannot, on environmental grounds, justify a localized food system." He implies that the US government is the only force that determines where people live. I doubt this--I think economics play a significant role. I believe that if the Southwest continues its trend toward running out of water, or if transportation becomes more expensive, water and food prices will likely rise sharply in response, and Phoenix will become a less appealing place to live. The government could (continue to) subsidize the transportation of water to such locations, but this would seem to work against McWilliams' goal of lowered carbon footprint. In short, I don't think his argument holds water.He also fails to acknowledge the non-carbon-related reasons for supporting local agriculture. Chief among them are, in my view: building resilient local food systems able to withstand sudden events (rises in transportation costs triggered by rising energy prices, natural disasters, wars, economic and infrastructure collapses); and supporting the local economy, both by keeping money in the local community and by providing meaningful jobs. He does not acknowledge the possibility that small agriculture jobs might be meaningful. And he says that buying food directly from farmers does not build any kind of "community" that he is interested in. In these matters I simply disagree with him.Finally, he "often wonder[s] if consumers could consistently discern the difference in a blind taste test between farmers' market produce and Wal-Mart produce." Because of the wide variety of farmers' market produce, the question as stated is essentially meaningless. It's hard to see the purpose of asking it. Is it intended merely to provoke?In the next chapter, he makes a point about how "local" is turning into a marketing buzzword, just as has happened, to a large extent, to "organic" (and, I might add, to a variety of other terms like "free-range", "farm fresh", and so on). He argues that organic/conventional is a continuum rather than a dichotomy, that they are not as distinct as most people think in terms of practices, use of chemicals, etc., and that rather than being limited by these two categories, we should consider a range of approaches to farming that use appropriate technologies.He loses me is in his discussion of genetically modified food. McWilliams doesn't see a big difference between selective plant breeding and genetic modification. Specifically, he states that we have been selectively breeding plants for a long time, but now, somewhat arbitrarily, many of us are deeply bothered over biotechnology. We shouldn't be. Genetic engineering (GE) is often portrayed as a radical break from "natural" agricultural practice, but as [Pamela] Ronald points out, this is not the case.He justifies GM food by trying to demonstrate that it is the only way we will be able to address current hunger, and to feed the ever-growing population of the future. He downplays the many possible ecological risks.As far as I'm concerned, given what we don't know about it, GM food is not an option, period. So ultimately, his claims about the relative efficiency of GM versus conventional crops are irrelevant to me.Furthermore, in his discussion of GM foods, he again downplays or ignores the issue of local resilience and self-sufficiency. GM seeds generally require money, and even when they are given away, they frequently require specific chemical inputs from specific companies in order to produce. Additionally, they are often sterile in the next generation, making seed-saving impossible, and locking farmers in poor countries into cycles of dependency on American multinational corporations like Monsanto.His chapters about meat and aquaculture are the strongest chapters of the book. Meat from industrially-raised land animals, he argues, is expensive in terms of land use, carbon footprint, and environmental devastation, and our worldwide consumption of such meat is skyrocketing. Between 1958 and today, for example, per capita meat consumption in China has gone from 8 pounds a year to 119. Another statistic he cites is that a 50% reduction in meat consumption would compensate for 2937.5 miles driven every year by every family (he does not specify geography; the study he cites is British, so perhaps the context is Britain). He concludes that In the end, the only environmentally viable kinds of meat production are the emerging alternatives to conventional factory production--grass-fed beef, free-range organic chicken, and free-range pork being prime examples. However...it will work only when kept small and integrated into midsized sustainable farms that place the bulk of their emphasis on growing plants to feed people.(This makes it sound like grass-fed beef, free-range organic chicken, and free-range pork are new ideas, which they are definitely not. Nevertheless, he makes his point.)His analysis of the history and state of the art in aquaculture is insightful. Fish farms vary greatly: some are very sustainable, and some are awful and polluting. His exploration of the growing possibilities of small scale, fresh water aquaculture and aquaponics is compelling. He makes a good case for his claim that of all the available sources of animal protein, aquaponic fish is the best.The final chapter deals with subsidies, incentives, and fair trade. While I'm tired of reading about farm and trade subsidies, he presents many of the issues well. He ends, however, with another argument against strict locavorism, which I suppose is understandable, given the full title of the book. He justifies the large-scale import of green beans from sub-Saharan Africa to the UK on three grounds: (1) these beans don't have a large carbon footprint; (2) sub-Saharan Africa needs the money and the jobs, and (3) farming practices there might be more sustainable than in the UK. The first and third points are difficult to address. The second, money-and-jobs argument is short-sighted. The export/import arrangement increases the dependency of sub-Saharan farmers on the price of transportation fuel, and on market conditions in the rest of the world. What if large-scale food trade becomes impractical or inordinately expensive? What if the price of green beans drops suddenly, and these farmers are not able to cover their costs? This is exactly what has happened to coffee farmers. For people to be truly self-sufficient and secure, does it not make sense for them to grow food that they and their neighbors can eat? Self-sufficiency and food security considerations are compelling arguments for global locavorism, in the face of an increasingly complicated and volatile world economy.

I definitely don't agree with everything Mr. McWilliams has to say and could argue a number of points but he makes many valid arguments about how we need to eat. Reducing our meat consumption is a great start.

The fact that this book has so many bad reviews is testament to the fact that it is successful: it is confronting some widely held beliefs (among many) with facts disputing these beliefs. Many adherents dislike such a confrontation, and their response is to dismiss the evidence and post a one-star review.The author strives at length to clarify that he is sympathetic to the ideals of locavores, fans of organics, opponents of GM foods, etc. But it's hard to miss the tone of provocation that seeps through. I think that provocation is warranted, though I predict it will ultimately turn potential converts away rather than convert them.The author's main beef is with the fetishization of "food miles" (the distance food travels from the farm to the market), rather than many other more important contributors of food's environmental impact (including the production process and the cooking method). It is hard to reasonably disagree with this argument (though clearly many people do). He expands to criticize proponents of organic farming, opponents of GM food, meat eaters, and opponents of aquaculture. These arguments are more open to debate. Then, in the last chapter (besides the conclusion), he brings everything together with a criticism of how food policy in most countries (including the US) and internationally is doing exactly the opposite of what it should be doing. I would have preferred more meat to this section of the book, although this part is much more in line with the locavore/organic ideology than the rest of the book.If you care about food, sustainability, the environment, or world poverty, then you should read this book. If you disagree with the conclusions, you should think about why you do, and if you have good reasons for doing so. I would suspect that you don't.

The concept of "food-miles" is a bit silly, and mathematically meaningless. The author redirects the conversation back to where it belongs - to the total lifespan emissions of the food. Often, this means buying food that has been transported long distances from an area with a more appropriate climate.

Pespectives one won't get from a "foodie".

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Rabu, 24 Januari 2018

Download Ebook Avatar: The Last Airbender-Smoke and Shadow Part Three, by Gene Luen Yang

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Avatar: The Last Airbender-Smoke and Shadow Part Three, by Gene Luen Yang

Avatar: The Last Airbender-Smoke and Shadow Part Three, by Gene Luen Yang


Avatar: The Last Airbender-Smoke and Shadow Part Three, by Gene Luen Yang


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About the Author

Gene Luen Yang began making comic books in the fifth grade. He has since written and drawn a number of titles. His 2006 book, American Born Chinese, was the first graphic novel to be nominated for a National Book Award and the first to win the American Library Association's Michael L. Printz Award. It also won an Eisner Award for Best Graphic Album - New. His 2013 two-volume graphic novel, Boxers & Saints, was nominated for both the National Book Award and the LA Times Book Award. Gene currently writes the graphic novel continuation of the popular Nickelodeon cartoon, Avatar: The Last Airbender. The Shadow Hero, his comic book series with Sonny Liew, revived the Green Turtle, an obscure 1940s character who is arguably the first Asian American superhero. The Shadow Hero is now available as individual digital issues via Amazon Kindle. The author lives in San Jose, CA.

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Age Range: 8 - 11 years

Grade Level: 3 - 6

Lexile Measure: 380 (What's this?)

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Series: Avatar: The Last Airbender

Paperback: 80 pages

Publisher: Dark Horse Books (April 12, 2016)

Language: English

ISBN-10: 9781616558383

ISBN-13: 978-1616558383

ASIN: 1616558385

Product Dimensions:

6 x 0.3 x 9.1 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

266 customer reviews

Amazon Best Sellers Rank:

#74,376 in Books (See Top 100 in Books)

If you were hoping that this series would have you loving Zuko's dear mother even more than you already loved her from the show, prepare to be disappointed. I'll try not to spoil it too much, (though with that said, spoiler warning anyway) but I will say that despite the fact that in the TV series she appeared to have made some kind of completely selfless sacrifice to save Zuko, that wasn't *quite* the case. In fact, in the 3-part series "The Search", Ursa is quite a cowardly, spiteful, and most of all selfish woman. Her self-centered actions resulted in her own children's suffering while she went off and lived her lifelong "dream". Many of the Fire Nation's royal family struggles were actually almost as much her fault as they were Ozai's. This is a bit of a disappointment since she was supposed to be the one member of the family who really loved young Zuko, but after reading this it seems she didn't quite care about him *that* much. (End spoiler content)The more I read about Ursa's past, the more and more I came to dislike her. I just felt like the story was trying way too hard to get the audience to feel sympathy toward her, and yet as much as I wanted to, I just couldn't.Well, I know one thing now. Zuko didn't inherit his ability to be kind even to those who would kill him from his mother. That being said, I did enjoy the story. It wasn't quite what I expected, which is a good thing.

If you don't want to read my long raving over this part, here's a quick summary. I love this book. Not only did it give me everything I wanted to see, like Ursa confronting Ozai, but it gave me things I didn't even know I wanted to see. The political situations are intense, the artwork brilliant, and every line spoken by the characters sounds like them. Even the love triangle (which I did not like) was handled well enough. It's a very satisfying conclusion on pretty much every level.Now for the lengthy part:In The Promise, we saw Avatar trying to branch out from the adventure storytelling and move into a more political setting, which sort of worked, but it kind of lost the fun adventure which made Avatar Avatar. In The Search they returned to their traditional story telling. It was an excellent story, but it didn't really evolve the world because it was so much like watching the original series.In Smoke and Shadow, they finally got it right. This series delves into the struggles of restoring the world order while also keeping the spirit of the original tale. When I finished the second book, I felt very iffy about it. I wanted to see them deal with Ursa's fear of Ozai . . . they didn't. I wanted to see the Fire Nation unraveling before Zuko's eyes . . . it sort of did. I wanted them to keep Azula out of it so that she could have an entire trilogy devoted to her . . . the didn't. So, a lot was riding on this book convincing me that everything the did or didn't do in Part 2 was a good idea.As indicated in my 5 stars, they were very successful.Azula was handled brilliantly. I dare not give away what happens with her, but by the end I was actually happy that they brought her back. Her motivations are very different than what they were before, and what they do furthers both her character and changes the nature of her relationship with Zuko, and I'm really looking forward to seeing how that develops in subsequent stories. The drawing on her in particular is flawless. Every look she gives, every line she says is just so, Azula.I also like seeing the political situation escalates. It moves from mild unrest to full out riots, and the way Zuko handles the situation is very interesting. I like seeing this series challenge it's characters with real problems of being in power and trying to find the best way to solve them and struggle to do what is right. It's a great way to evolve the story from the simple adventure we saw in the TV show to young adults trying to rebuild a broken world.Ursa was also handled very well. In Part 2 she was shoved to the background and mostly a worrying mom, which I didn't like. However, the transition between her worrying about Kiyi to facing her greatest fear - Ozai - is so good that it actual makes me glad she got so little focus in Part 2. Again. this story did a great job of not giving me what I wanted, but instead showing me what I didn't realize I wanted.I do have two complaints it would be that Ursa's confrontation with Ozai feels rushed. It played out the way it should, but it was only a few panels long. I felt like that really deserved an extra page or two. Even so, it's satisfying, and the ending, which focuses on Ursa, still feels very earned.The second has to do with the love triangle. Let's just say, I pretty much hate them on principle. I actually like Kei-Lo and Mai together and think Zuko should just get over her, but they have to keep throwing this forced drama in my face. I mean, it's not terrible. It doesn't ever feel like Mai is leading Kei-Lo or Zuko on, it does seem that she is legitimately confused, so it doesn't ruin her character for me, and the fact that Kei-Lo is useful beyond being a plot device is good. I just wish they could move beyond this stupid cliche and quit trying to force us to care about characters we already care about.In spite of those two complaints, I think this is a wonderful conclusion for the story. It evolves Avatar universe, gives fantastic character development (Ukano is done very well, too), and still has a nice level of humor. If Part 2 left you on the fence, but this, because it certainly makes everything in Part 2 worthwhile.

This series ends on a real cliffhanger mystery and now I have to wait even longer for it to come out.If you like the previous series, then you will definitely like this one.All the characters are here and crazy, mad Azula adds a certain painful urgency as she tromps through the books bringing destruction to everyone she touches.Prince Zuko has been transformed by his experiences, in the anime series, it seemed that the only character who needed to grow up and change was Aang, but Zuko had his own painful growing pains and he's truly the Zuko we all came to know and admire by the end of the series.Toph wasn't in this series, which was a big letdown, she's my favorite character and I really hope the writers bring her back for the next story.

As a huge fan of this series, though admittedly not until after the series had nearly ended on TV, I want to love every bit of ancillary Avatar: The Last Airbender fiction. I got so hyped for the live action movie, and was so let down. I wanted mote Avatar, more GOOD Avatar, and eventually went searching for news from the creators of the cartoon. That's when I stumbled on the existence of the comics, and I knew I had to buy them. So I gathered up old Amazon gift cards to alleviate the strain on my wallet, and bought The Promise and the first two parts of The Search (part three was not published yet) all at once, and I am so glad that I did. The art is beautiful, and the story so immediately captures the tone and pace of the cartoon that before long it was like watching the show again, which was in turn like revisiting an old friend.This is the installment in which everything come to a head. Why is Azula playing nice with the others? Answered. Where is Zuko's mother? Answered. Is Zuko actually Ozai's son and the heir to the throne of the fire kingdom? Answered. We learn so much here which develops Zuko's character, Azula's character, the character of Zuko's mother, heck, we even get good character stuff for Aang here, as well. It is slightly unsatisfying at the end, as I really wanted to see Azula resolve some of her issues here and maybe make a move toward redemption, and I don't think that anything that happens in this comic can really be taken as that. More than anything, though, I am disappointed that it ended at all. I just want this series with these characters to continue forever!

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Rabu, 03 Januari 2018

PDF Ebook David Busch’s Nikon D500 Guide to Digital SLR Photography, by David D. Busch

PDF Ebook David Busch’s Nikon D500 Guide to Digital SLR Photography, by David D. Busch

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David Busch’s Nikon D500 Guide to Digital SLR Photography, by David D. Busch

David Busch’s Nikon D500 Guide to Digital SLR Photography, by David D. Busch


David Busch’s Nikon D500 Guide to Digital SLR Photography, by David D. Busch


PDF Ebook David Busch’s Nikon D500 Guide to Digital SLR Photography, by David D. Busch

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David Busch’s Nikon D500 Guide to Digital SLR Photography, by David D. Busch

About the Author

With more than two million books in print, David D. Busch is the world’s #1 best-selling camera guide author, with more than 100 guidebooks for Nikon, Canon, Sony, Olympus, Pentax, and Panasonic cameras, and many popular books devoted to digital photography and imaging techniques. His best-sellers include Digital SLR Cameras and Photography for Dummies, which has sold more than 300,000 copies in five editions, and Mastering Digital SLR Photography, now in its Fourth Edition. The graduate of Kent State University is a former newspaper reporter/photographer, and operated his own commercial photo studio, shooting sports, weddings, portraits, fashion, architecture, product photography, and travel images. For 22 years he was a principal in CCS/PR, Inc., one of the largest public relations/marketing firms based in San Diego, working on press conferences, press kits, media tours, and sponsored photo trade magazine articles for Eastman Kodak Company and other imaging companies. His 2500 articles and accompanying photos have appeared inside and on the covers of hundreds of magazines, including Popular Photography, Rangefinder, and Professional Photographer. For the last decade, Busch has devoted much of his time to sharing his photographic expertise, both in publications, and in seminar/workshops he hosts at the Cleveland Photographic Society School of Photography. He has been a call-in guest for 21 different radio shows nationally and in major markets, including WTOP-AM (Washington), KYW-AM (Philadelphia), USA Network (Daybreak USA), WPHM-AM (Detroit), KMJE-FM (Sacramento), CJAD-AM (Montreal), WBIX-AM (Boston), ABC Radio Network (Jonathan & Mary Show). He’s also been a call-in guest for one Canadian television show, and appeared live on Breakfast Television in Toronto, the Today Show of the Great White North. With a total of more than 200 books to his credit, Busch has had as many as five books appear simultaneously in the Amazon.com Top 25 Digital Photography Books, and when Michael Carr of About.com named the top five digital photography books for beginners, the initial #1 and #2 choices were Busch’s Digital Photography All-in-One Desk Reference for Dummies and Mastering Digital Photography. His work has been translated into Arabic, Spanish, Chinese, Japanese, Portuguese, Bulgarian, German, Italian, French, and other languages. Busch’s Web portal is www.dslrguides.com

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Product details

Paperback: 528 pages

Publisher: Rocky Nook (November 30, 2016)

Language: English

ISBN-10: 1681981467

ISBN-13: 978-1681981468

Product Dimensions:

6.9 x 0.9 x 9 inches

Shipping Weight: 2.5 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

70 customer reviews

Amazon Best Sellers Rank:

#62,493 in Books (See Top 100 in Books)

This is comprehensive. Way comprehensive! The D500 is a camera with lots of features you WILL never know about.It takes a BIG book to handle everything about it, (504 pages!) plus all the extra questions a new owner may have.What's the best lenses? What about flash? Flash remotes? How do I use them? What else do I need, and need to know?I opened the book to a random page deep inside, and immediately learned something new. "Really? My camera can do that?"Mind you, I already have a D500 Kindle book; "Nikon D500 Experience The Still Photography".Granted, it is way better than the Nikon Manual.But, David Busch writes like your Uncle Dave, who is a top authority, not only on the D500, but on the subject of photography.Besides this, he is a Photographer, not just a renown writer and gear expert.It's this angle that makes his book more than a well arranged D500 how-to book.You can browse the contents for any subject, and learn exactly how to do it, and use it, easily, quickly.Menus are shown as they appear in camera, and everything is simply explained. 1,2.3.But then, he devotes another whole section on that same subject in extreme detail. Not leaving any small fact about the camera untouched.It's like, now that I had "Uncle Dave" show me how to set this up, I can also refer to the details later.Did you know some Nikon cameras have programs similar to sections of Photoshop Lightroom, built in?David reveals EVERY aspect of your D500. Many times with photos and clear diagrams and easy on the eyes instructions.I highly recommend this book!If I had only one choice, this is it!

Review of David D. Busch's D500 Guide1/1/17 I bought my D500 and MB-D17 ext battery pack at the end of November 2016. I had been a D300 user for 9 years. I have my “stable” of Nikkor lenses already. I am not a professional photographer. I like nature material, but regard myself primarily as an “historian” both for our church and family, and for friends (such as memorial services and celebrations). At a minimum I needed to maximum my low-light capability for those. I have been very pleased with the D500 in that regard, usually shooting around 20-32K ISO. Until I got David’s book, I was a quite frustrated with Auto ISO and live view focusing. The NIKON Manual was not much help in either area. Buried in it is the info to select options for most everything, but virtually no help as to WHY or HOW to use a feature. I got David’s book 12/24/16. His description of his book is very accurate. “Rather than write a book for just one of those two audiences” (newbie or veteran), “I’ve tried to meet the needs of both.” In over 500 pages I believe that he has succeeded in both.I have tabbed my book, and even though I am only 2/3 of the way through it, I have tabbed over 2 dozen MAJOR techniques or features in the D500 that are new to me and which want to incorporate into my shooting. He has a way of explaining what the features are and how to make features work (or why he doesn't recommend using them) that I have found to be very friendly (in a couple places humorous). There is so much meat in the book that I have expended well over 20 hours so far carefully reading and marking it. Features that the Nikon Manual just mentions are expanded upon so that they can be considered and implemented. Just reading the Nikon manual, for instance, about High Speed Sync (for flash) left me cold, and I never would have tried it. After reading David’s explanation of what and how, it will be a “meat -and-potatoes” feature of the D500 for me. I like the organization of the book, and its index beats the NIKON manual's index hands down. Despite his book having so much info, David does mention that the reader should refer to the NIKON manual, too, and sometimes I will cross reference to the manual when David brings up a feature that I had no idea existed. He also provides some equipment recommendations based on his own experiences. If you don’t have your “stable” of lenses, you might hold off until you read his section on lenses. Things about which I knew enough to get by from the D300, he explains in such detail that I can use them much more to my advantage such as how to get a 30 second self-timer, getting the correct exposure with the spot meter, the best use of my SB-800 flash, and much, much more. I appreciate the level to which he provides the technical aspects of a feature, piece of equipment or a method. His book is printed on very high quality and tough paper so that all my underlining with Sharpies and highlighting has not bleed through, nor have I had any instance of the paper tending to tear when I move tabs or post-it-notes. This is important to me since I will refer to his book as my D500 bible for a long time. One last aspect that is more than just icing on the cake, is that David gives you a way to communicate with him. He has responded EVERY time I have emailed him and usually within a matter of an hour or two. I received one email response from him to an emailed question in less that 6 MINUTES. If I could, I’d give his Guide (and him) many more stars than the normal high of 5.Bruce

A very good reference book. I've had my D500 for about 18 months and decided to get this book to really learn some of the intricacies of the camera - proper bracketing techniques, focus modes, and JPEG settings - I shoot RAW + JPG mostly to transfer to my smart phone via SnapBridge.I have learned lots that I could have found elsewhere, but this shortened my research time looking elsewhere such as YouTube and various websites.I bought the Kindle version, but may go back and by the actual book as well which would be nice to tab, highlight and copy certain pages for quick reference. I wish Amazon had a Kindle/Real Book combination option. Are you listening Amazon?!?!?My 4 star rating rather than 5 is because in some sections there is a lot of fluff and superfoulous information that may be helpful for someone unfamiliar with photography, but I would hope those folks aren't dropping $2K on a DSLR!

This is my third book by David Bush for Nikon Cameras and my first in the Kindle format. His guides are always superior to the manuals that come with the cameras and are well organized and written. The illustrations are top notch and clear - he does the photography so that is no surprise. The Kindle version is great, easy to navigate and the photos and diagrams can be expanded by tapping and pushing out on them. I never fail to learn something new when I pick it up and read it. Very comprehensive.

This book covers general photo tips....lighting, which lenses to use, etc, as well as D500 specific features, how-tos, etc. It is comprehensive, and complete enough be worth the cost. It convinced me to buy a Nikon D500.

EXCELLENT. ENGLISH IS'NT MY LANGUAGE AND STILL THE BOOK IS CLEAR, DETAILED. STILL A LOT IS AHEAD OF ME BUT ALREADY IMPROVED SOME TECHNICS IN SHOOTING

I have several David Busch's Nikon Guides and love them all. They are easy to follow, in depth and in color. I purchased the D500 for myself and one for D70 for my teenage granddaughter and she is having an easy time working with the D70s I gave her.

The D500 is my third Nikon DSLR camera. I have purchased Dave's books for all of them since he does an excellent job of explaining all of the features. Besides the many illustrations, he suggests which settings are best to use and why. An excellent reference book.

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